A Brief Intermission

It's been a while since I've written on here. And not for a lack of things to talk about. There's been a lot going on. Let me give you some of the highlights of the last month or so.

Nathan Thomas, my bassist and main go-to-guy, and I have started pre-production on what will eventually turn into the next album. Since moving to Nashville (and a little before) I started demoing ideas on GarageBand. From simple acoustic sketches, to full-blown homemade productions, I've gathered around 20 songs now. Nathan and I have choosen 5 to focus our attention on.

* So Hard to Find an Easy Getaway - the oldest song of the bunch. I originally wrote this song in the Spring of 2008 while visiting my cousin David in Texas. We briefly played it during the last days of the Traveling Mercies. It didn't seem to fit the mood of "Shouting At A Silent Sky", but I kept the song around. Recently, I've revised the lyrics a bit, and we've brought it back into the last few shows. The song has a Chuck Berry style narrative about a troubled flight from Seattle to Texas, and has a Stones-eque loose rock feel. "Well, Austin might as well have been Boston / San Marcos might as well have been Spain / I left the clouds hoping for sunshine / but the dust bowl was flooded with rain / Yeah, the world is so strange it's so hard to make an easy getaway."

* Southern Pines - I started writing this song in the Fall of 2009, and it's gone thru quite an metamorphosis over the last few months. There's a time-change on the chorus, which I kept going back and forth on, but I think it'll be an interesting record when it's done. Like, "Easy Getaway", this song has a storyline narrative, but there are more layers to the lyrics. I originally wrote it as a sort of jazzy tin pan alley tune, then it became more like an Irish Folk song, and now it's going more riff rock. So we'll see where this one ends up. "You took me in under your spell / You clipped my wings and I could tell / Your ivory tower was now my prison cell / I plead my case and I rebelled / Your love letters were all misspelled / And I escaped without a word of farewell."

* What is this Love? - This song burst forth over the Summer of '09, and I've hardly changed a thing since. It's got an almost Latin groove to it, and it feels really fresh to me. Songs about love can be the most challenging since there have been so many great songs (and plenty of crappy ones) written about the subject over the years, but this one comes at it from a unique angle. It's more about the mystery of love, with contrasting sensual and spiritual themes. "What is this love that is spreading / What is this love like a virus / My heart pumps it to my brain and I keep waking up everyday / Just when I think I've had enough / What is this love?"

* When You Found Me - This was the first song I wrote as I settled into Nashville. Again, it's always nice when a love song presents itself and it's not a complete throwaway. The song revolves around a repeating blues riff, with a hypnotic groove, during the bridge it switches between minor and major in a way that hopefully wakes the listener from their trance. instead of focusing on how great life is with this new lover, it focuses more on how bad life was before. "When you found me I didn't believe in love / I'd been burned and I'd been bluffed / Wasn't a woman I could trust / I was blind I could not see / When you found me."

* I Know I Should Know Better - It's ironic that this is the title of the first song I'm re-recording. I originally wrote and recorded the song for the Mercies' first album back in 2007. But over the last couple years, I've felt like I could re-approach this song and breathe new life into it. It's always been an important song to me, and where we are taking it now should be a whole new experience for the listener.

So these are the first batch of songs Nathan and I will be focusing on once he gets back from his Honeymoon.

Honeymoon? On Saturday, June 26th, Nathan married his long-time sweetheart Leslie at a beautiful ceremony in Dickson, TN. They are now off to Mexico for the week. And the rest of the band has been busy as well - over the last month Aaron Tosti has been sharing his drum talents with Run Kid Run, The Almost, and will soon be on the road as a drum-tech for Underoath. Eric Newcomer has been on the road playing bass with House of Heroes, and our most recent addition to the band, the amazingly telented keyboardist Travis Terrell has been driving a bus for Peter Frampton. Yes, Peter Frampton!

So all that to say, progress is gonna be a little slower than I'd like, but hopefully we can find a day or two when each of these great players can add their magic to these tracks. The goal from there is to get these pre-production demos into the hands of people that might be able to take the project to the NEXT level. Whether it's a producer, a label, or whatever - we should have some good tracks to pass around.

So what have I been doing with my downtime? Well, I'm still working three days a week at the best honky tonk on Lower Broadway - Robert's Western World. And lately I've re-discovered my love of painting. I've started a series of "Heroes", and I've almost completed my first two - Hank Williams and Elvis Presley. For Nathan's wedding gift I painted him a portrait of Prince (who is his favorite artist).

As always there is more to talk about, but I've said enough already.

But you'll be hearing from me soon, I promise.

HOW ROCK (ALMOST) DIED WHILE ELVIS WAS IN THE ARMY

When asked to reflect on Elvis’ passing, John Lennon famously said, “Elvis died in the army.” When Elvis entered the Army in 1958 rock and roll was viewed as the soundtrack to rebellious youth. Churches organized public burnings of records, riots happened in nearly every town Presley and his fellow pioneers went. But when Elvis was discharged in 1960, rock music was in a very different place, and “It’s Now Or Never”, “Are You Lonesome Tonight?” and the film, G.I. Blues – were seen as the death nail to many teenagers weaned on the raw power of Elvis, Little Richard, Buddy Holly, and Jerry Lee’s early records.


What I want to attempt to do is suggest is that it wasn’t Elvis who died in the army but it was rock and roll that (nearly) breathed its last.

The years of 1958-1960 were filled with blows to the head and heart of Rock. In January of ’58, Little Richard enrolled in Bible College, denouncing rock and roll and his large contribution to it. This further supported the idea that “rock and roll is the devils music”, that preachers and mothers across America had been saying for years. It’s well known that Jerry Lee Lewis, Elvis, and Johnny Cash had a real struggle making peace with their Christian upbringing and their leadership in this new revolution. With Little Richard off the scene, by the time Elvis entered the army in March of ’58, the rock world was already unraveling. While Elvis was away in the Army, the main contender for his throne was Sun Records’ latest star – Jerry Lee Lewis. With huge singles like “Great Balls of Fire”, and “Whole Lotta Shakin’ Goin’ On”, it was obvious he had the voice and the charisma, and something even Elvis didn't have, virtuoso musicianship. But in May of ’58, while on tour in Germany it was revealed that he had married his 13 year old cousin. While this may have been something he could have kept quiet in the States, especially in the South during that period of time, European press had a field day. The tour was cancelled and his career never fully recovered from this public condemnation. So that is three big stars all out of the public eye before 1958 was even half over!


February 3rd, 1959 has gone down in infamy as the “day the music died”, thanks to Don McLean’s “American Pie”. It was the day 22-year-old Buddy Holly died in a tragic plane crash. More than any other early rock and roll star, Buddy was showing how rock and roll could evolve. Holly was one of the first artists to write, arrange and produce his own records. He was already incorporating string ensembles and choirs, combining teenage and adult music into a more sophisticated version of rock and roll. But his plane crash caused a major stunt in Rock and Roll's growth.

The early days of Rock have often been criticized as little more than white singers stealing black music. One of the few black artists during the first wave of Rock to have hits with his own recordings was the true “architect of rock and roll” – Chuck Berry. From 1955-1959 he put 10 songs in the top 40, and everyone from Gene Vincent to Pat Boone used Chuck’s material to fill their albums and singles. And it wasn’t just America listening; nearly every British Invasion band that came out in the mid-60s had a cover or two of Chuck’s. But another near fatal blow to rock and roll came in December of ’59, with Berry sentenced to serve five years in jail. A former employee of his was arrested on a prostitution charge and with a trial that was fueled by racism, Chuck somehow ended up in jail. Although he was released early in 1963, Rock's first great poet was silenced during this fragile time in its infancy.

Losing this many leaders during the first 5 years of any movement would surely cause most revolutions to lose steam. The final blow came on April 16, 1960 - just a month after Elvis was released from the army - when 21-year-old Eddie Cochran was in a fatal car crash. Cochran was another visionary, writing his own songs (including “Summertime Blues”, and “Twenty Flight Rock”), and experimenting with overdubbing years before the Beatles perfected the craft.

It’s no wonder that in the absence of all of these vital visionaries, the record labels had to create more “reliable” stars like Frankie Avalon, Fabian, and Annette Funicello. Elvis stated in many interviews during his early days that he believed Rock and Roll was a fad, and that he would have to change with the trends if he wanted to keep his job. So when he was released from the Army he cut an album called “Elvis Is Back!”, and a string of singles that included more variety than any of his early material. This was not the recordings of a dead man, or worse a "has-been" (as Lennon’s quote suggests), this was rock’s greatest interpreter expanding his (and the whole movement's) vocabulary. But now without Buddy, Chuck, Little Richard, or Jerry Lee to give him a run for his money, he settled to compete with chart-toppers like Del Shannon, Chubby Checker, Dion, and Brenda Lee – not exactly leaders in a revolution. Rock lost its momentum for a number of years, nearly suffocating in Beach Party movies and AquaNet, until those four lads from Liverpool showed up.

Although the Beatles went down in history as the saviors of Rock, their early songs (“I Wanna Hold Your Hand”) were much more clean-cut than the early records of Elvis, Chuck, or Jerry Lee. The early revolutionaries had already laid down the groundwork, so the Beatles were able to attack from different angle - they put on their best smiles, wore their suits, won America’s heart - then were given free reign by their label and manager to revolutionized the rock world from within. So there you have it, the story of how Rock almost died while Elvis was in the army.